A concert of three works of Christian Wolff for a large ensemble. Curated by Christine Tavolacci. Performed by Ezra Buchla, Archie Carey, Carolyn Chen, Eric km Clark, Daniel Corral, Corey Fogel, April Guthrie, Orin Hildestad, Anna Inuzuka, Mari, Adam Overton, and Laura Steenberge .

A concert of Michael Pisaro's music for the guitar (2 duets and a solo) curated by Chaz Underriner. Featuring Brendan Byrnes, Ingrid Lee and Chaz Underriner.

Stolen Synthesis Nos. 1-5 by Alejandro Acierto

Species Endemic to a Hill by Colin Wambsgans

featuring Tara Boyle, Archie Carey, Daniel Corral, Jake Fiskin, Corey Fogel, John Graves, Alissa Kueker, Rafael Liebich, Greg Nicolett, Odeya Nini, Katia Portillo-Vali, Angela Vicente, Argenta Walther, and Colin Wambsgans.

Titanic is about icebergs and other big things.

This performance was made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

UploadDownloadPerform.net is now 3 years old, and populated with over 1600 experimental scores contributed by more than 100 artists of various disciplines and demeanors. join us to celebrate with a semi-randomly derived program of performances!

(organized by Adam Overton, Francesco Gagliardi )

This performance was made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

Gnarwhallaby presents its first concert with music by Marc Sabat, Wtodzimierz Kotonski, Steffen Schleiermacher, Henry Gorecki, Edison Denisov and possibly Morton Feldman. The ensemble is a quartet using the work of Poland's Warzstat Muzyczny as a starting point.

Gnarwhallaby is Brian Walsh [clarinets], Derek Stein [cello], Matt Barbier [trombone], Richard Valitutto [piano].

This performance was made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

the experimental music yearbook: Casey Anderson, John P. Hastings, Albert Ortega, and C. Spencer Yeh.

 Now in its third year, The Experimental Music Yearbook is a repository for composers, performers, and the public to glean the methods and styles of various artists working in the experimental music tradition. As the modes of experimentation in the arts change from year to year, the Experimental Music Yearbook's annual issues will build into a comprehensive, and varied, database of experimentation in music/sound. An annual festival will accompany the online portion of the Experimental Music Yearbook:

Concert 1, 10/14 8pm (the wulf., Los Angeles, CA): The music of Hans W. Koch

Concert 2, 10/15 8pm (Presents Gallery, Brooklyn, NY): Jessie Marino / On Structure

Concert 3, 10/21 8pm (BETALEVEL, Los Angeles, CA): John Bischoff, Scott Cazan, GX Jupitter-Larsen, and Mark Trayle.

Concert 4, 10/22 8pm (the wulf. Los Angeles, CA): Casey Anderson, John P. Hastings, Albert Ortega, and C. Spencer Yeh.

Concert 5, 10/29 8pm (Echo Park Film Center, Los Angeles, CA): Tashi Wada with Paul Clipson

www.experimentalmusicyearbook.com

The performances at the wulf. were made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

Now in its third year, The Experimental Music Yearbook is a repository for composers, performers, and the public to glean the methods and styles of various artists working in the experimental music tradition. As the modes of experimentation in the arts change from year to year, the Experimental Music Yearbook's annual issues will build into a comprehensive, and varied, database of experimentation in music/sound. An annual festival will accompany the online portion of the Experimental Music Yearbook:

Concert 1, 10/14 8pm (the wulf., Los Angeles, CA): The music of Hans W. Koch

Concert 2, 10/15 8pm (Presents Gallery, Brooklyn, NY): Jessie Marino / On Structure

Concert 3, 10/21 8pm (BETALEVEL, Los Angeles, CA): John Bischoff, Scott Cazan, GX Jupitter-Larsen, and Mark Trayle.

Concert 4, 10/22 8pm (the wulf. Los Angeles, CA): Casey Anderson, John P. Hastings, Albert Ortega, and C. Spencer Yeh.

Concert 5, 10/29 8pm (Echo Park Film Center, Los Angeles, CA): Tashi Wada with Paul Clipson

www.experimentalmusicyearbook.com

The performances at the wulf. were made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

(slides & sides)

A performance of solo works for an upcoming recording project of Tom Johnson's music. Pieces include Tilework for violin, Tilework for viola, the complete Rational Melodies on violin, and the US premiere of Squares on viola with Douglas Wadle narrating.

Carl Stone performs new works for solo electronics at the wulf, a loft space in downtown LA dedicated to experimental arts. The evening will include some new pieces from his Acid Folk series. Steve Smith in the New York Times who wrote of this series: "(Stone's) music was a powerful stimulant with lingering euphoric effects\[Ellipsis].a blissful détente between two disparate modes of expression." This is Carl's first solo performance in hometown Los Angeles since 2008!

line and cipher by Michael Winter; Networks by Tom Johnson; selections from Symmetry Etudes by Andrew McIntosh; and QUARTERS(clapping) by Casey Anderson .

Still by scott cazan; quiet, taking place by gary schultz; sepand shahab; string quartet by stephen touchton

Schedule:

ROTHKO ROOM:
*Matt Barbier and Luke Storm - JUZ by Wolfgang von Schweinitz and Three Pieces for Trombone and Tuba (number 1) by Larry Polansky - 1:00 to 2:00 pm (trombone and tuba)
*Christine Tavolacci - performing Carlos Inderhees' Buch fur Flöte - 2:00 to 2:55 pm (flute)

KLINE ROOM:
*Mark So - END ROAD WORK / NO PARKING / BOB LOVES BETTY (2011) for Liz - 1:00 to 3:30 (cassette playback)

STELLA ROOM:
*Harris Wulfson - LiveScore - 1:00 to 1:45 pm. (for mixed ensemble)
Performers: Ezra Buchla, Heather Lockie, Christine Tavolacci, Eric Clark, Casey Anderson
*Mike Winter - room and seams - 3:00 to 3:20 pm. (for chimes and strings)
Performers: Mark So, Scott Cazan, Liam Mooney, Corey Fogel, Ezra Buchla, Eric Clark, Orin Hildestad, Heather Lockie
*Corey Fogel - Magnolia Alternative (for museum walls) - 3:30 - 4:00 pm (percussion)

RAUSCHENBERG ROOM:
*Casey Anderson - Whitespace - 1:50 to 2:30 pm (for radios)
Performers: Corey Fogel, Casey Anderson, Colin Woodford, Colin Wambsgans
*Tashi Wada - Alignment Mix - 3:00 to 3:30 pm (vinyl playback)

FRANK, RAUSCHENBERG, ALTOON ROOMS:
*Eric KM Clark - Experiment in Memory and Pitch - from 2:30 to 3:00 pm (speaker playback)

RUSCHA, FRANCIS, WHITE ROOMS:
*Laura Steenberge - Folk Music for MOCA - from 2:20 to 2:50 pm (for three stringed instruments)
Performers: Ezra Buchla, Heather Lockie, Laura Steenberge

RUSCHA ROOM:
*Ezra Buchla - COMPRESSION OF THE CHEST CAVITY MIRACLE - 3:20 to 4:00 (for viola and live electronics)

READING ROOM:
*Daniel Corral - NEOTROPE - 1:00 to 1:30 pm (for 8 accordions)
Performers: the Free Reed Conspiracy - James Barry, Jimi Cabeza de Vaca, Daniel Corral, Leah
Harmon, Diana Hobbs, Chris Porter, Isaac Schankler, Laura Steenberge
*Dicky Bahto - Documents - 1:30 to 3:00 pm (film)

ARCO COURT:
*Alan Nakagawa - Spectral Analysis for improvised Iso Cube - 1:45 to 2:15 pm (home-brew electronics)

SCULPTURE PLAZA:
*Artmaking Activity - 1:00 to 3:45 pm
*Daniel Corral - Requiem for György Ligeti (Music Boxes) and Excursions (Card Pieces) - 1:00 to 4:00 pm
*Scott Cazan - Edges - 1:15 to 2:20 pm (home-brew electronics)
Performers: Daniel Corral, Chris Porter, Chris Kallmyer, Carmina Escobar
*Liam Mooney - 180 degrees- 2:20 to 2:50 pm (triangles and dry ice)
Performers: Alan Nakagawa, Mark So, Mari, Michael Winter, Liam Mooney

John Cage - Number 6 - workshop - 2:50 to 3:30 pm
Led by Casey Anderson

Download program and performer bios - here -

Performed by Rachel Beetz, flute; Dustin Donahue, percussion; and Martin Hiendl, piano, celeste.

Featuring the world premiere of EQ Music by Berlin-based composer Volker Straebel, a realization of Clouds for Piano by Dick Higgins, a new work for feedback network by Scott Cazan, and bridge (paris 1870) by Gerhard Schultz.

www.straebel.de
www.scottcazan.com
www.gerhardschultz.com/bridgeparis.php

In December of 2010, following the structure of a legal doctrine employed in the realm of land use and property rights, Untitled Collective asked visitors to abandon social obligations owed to them that they were not currently using or did not intend to use. Through the signed agreements and subsequent notification, Untitled Collective is attempting to obtain the right to alter, combine, and use these obligations and opportunities.

This event marks the second phase of the project in which the group will notify the third party of the perceived obligations that were abandoned. The event itself will be structured like a rehearsal, a succession of adjustments and reflections where visitors are encouraged to come and go as they please.

untitledcollective.org

"do lado da voz " ("beside the voice") is a concept that appeared on the changeable territory between experimental and popular music, between improvisation and composition, between music and theater. It focuses the form "song" on its periphery: through process and materials such as strangeness, reiteration, silence, displacement, time dilation, noise, reduced theatrical actions, displacement of the song discourse‚s center, revisited so that its characteristic emotionality changes into a vehicle to other forms of perception.

The project, that assumed different forms during the last 10 years and was performed in various formations, began in the 90s with Chico Mello's de-composition from old Brazilian songs of various eras: "His novel and sometimes startling arrangements alter the songs' tempi, break their rhythm with pauses and repetitions, add samples of old recordings, and juxtapose instrumental dissonance against lyrical vocals, taking the songs out of their original contexts and transforming them into essentially new (re)creations" (Daniella Thompson).

Working along with the actress and singer Fernanda Farah, the concept was once again displaced and recreated. Her work on a theatrical language sometimes reduced to imperceptible gestures portrays a "minor theatricality" that coexists in a quite natural way "beside the voice", or perhaps "beside the theater".

Fernanda Farah was born in 1975 in Curitiba, Brazil. Works with Theater, Contemporary Musical Theater, Dance Theater and Performances. Fernanda Farah has aquired a multiple education in Brazil (in theatre, music, dancing and singing). She has worked along with Chico Mello, Christian Kesten, Steffi Weismann, Cristoph Kurzmann, Antoine Beuger, Daniel Ott (Music/Music Theater), Felipe Hirsch, Carla Bessa (Theater), Constanza Macras (Dance Theater) among others.

Chico Mello - Born in Curitiba, Brazil. Studied music and medicine in Curitiba. Composition studies in São Paulo with J. Penalva and H.J. Koellreuter and in Berlin with Dieter Schnebel and W. Szalonek. Indian music with Amelia Cuni. Experimental, popular, and music theater works with groups in Brazil and German as composer, instrument performer and singer. His work has been performed in new music festivals such as Donaueschinger Musiktagen, Stille Music-Boswil, Switzerland, Other Minds, San Francisco, Bienal de Música Contemporânea, Rio de Janeiro. Co-operation with u.o. Silvia Ocougne, Daniel Ott, Dieter Schnebel, Arnold Dreyblatt, NIcholas Bussmann, Wandelweiser Composers Ensemble, Kammerensemble Neue Musik Berlin. Curator of the contemporary music secction of the "Oficina de Música de Curitiba" and from the "Escuta" festival, Rio de Janeiro.

Big family day presenting music and workshops. featuring members of the wulf. community:

Schedule:

1:00 pm - 5:00 pm:
Laura Steenberge: build your own instrument
Scott Cazan: record a sound with your newly built instrument (mixed and amplified by the wulf.)
Dicky Bahto: documentation piece filming video for projection at the MOCA Sunday Studio

1:00 pm - 2:00 pm, 2:30 pm - 3:30 pm, & 4:00 pm - 5 pm :: Alan Nakagawa: What's in the box?

1:30 pm - 2:00 pm & 2:30 pm - 3:00 pm :: Casey Anderson: talk radio - a radio opera

3:30 pm - 4:00 pm & 4:30 pm - 5:00 pm :: Liam Mooney: Styrofoam Orchestra

4:30 pm - 5:00 pm :: James Klopfleisch: (a) Public Chorus

new solos and duos by mark trayle and casey anderson.

With Cat Lamb, Julia Holter, Casey Anderson, Orin Hildestad and Mike Winter.

3 duets
text by Laura Steenberge and Traditional
sung by Cat Lamb and Laura Steenberge

Lucifer in the Shadowlands
for harmonium, violin, viola, kazoo, saxophone, and voice
performed by Casey Anderson, Julia Holter, Orin Hildestad, Mike Winter, Cat Lamb

Lucretius, My Lucretius
for three voices
text by Lucretius
sung by Julia Holter, Cat Lamb, Laura Steenberge

Grillout afterwards with Dr. Hildestad as chef and more music (of Irish nature).

Jennifer Torrence performs Matt Sargent’s Ghost Music, an hour-long work for solo percussion. The music has been described as precisely notated wind chimes. It focuses on two strata of activity: a gradually rotating mobile of melodies for unpitched metal percussion instruments, which resonates against extended drones performed on bowed crotales. This performance will be the West Coast premiere of the work. The concert will open with a performance of lenguas encubiertos, by Lewis Nielson.

Matt Sargent is a musician from Hartford, CT. His music grows out of an appreciation of natural resonances, acoustic spaces, field recording, and outdoor listening. A Chesapeake Bay native, his interests are often focused on the movement of bodies of water, tides, and possible musical analogues to these natural processes.

http://www.mattsargentmusic.com

Jennifer Torrence is a percussionist from San Diego, where she studies at UCSD with Steven Schick. Jennifer has performed across North America and Europe with ensembles and festivals such as the Bodø Sinfonietta, Arctic Philharmonic, Red Fish Blue Fish, SoundPlay, and eighth blackbird. Jennifer has been featured as soloist with the Lucerne Festival Academy, Ensemble Modern Academy, and the Britten-Pears Program.

2 performances of Cage's Four5, 1 performance of his 44 Harmonies, performed by Saxophone Quartet.

Miller Puckette, Natacha Diels, and Bryan Jacobs join forces in a presentation of solo, duo, and trio works operating outside their reasonable elements. The group will perform Puckette's interpretation of Kurt Schwitters' Ursonate for computer and trio; Bryan Jacobs' duo "Syncro-Vox and Other Cheap Animation Techniques" for guitar, alto flute, and electronics; Aaron Cassidy's vocal piece "I, purples, spat blood, laugh of beautiful lips", and a solo presentation of Puckette's infamous group The Convolution Brothers.

Miller Puckette is the Associate Director of the Center for Research in Computing and the Arts (CRCA) at UC San Diego, where he is working on the development of the free, open source real-time software system for live msical and multimedia performances called Pure Date ("Pd"). He was a member of MIT's Media Lab from its inception until 1987, and then a researcher at IRCAM, where he wrote the widely used computer program Max. He joined the Global Visual Music project in 1997 and has performed with the Convolution Brothers since 2004.

Natacha Diels is a musician living in New York City. She is the executive director of Ensemble Pamplemousse, one-half of the performance duo On Structure, and resident flautist of Red Light New Music. Her current compositional interested focus on corrupted loops and corpulent glitch. She attends Columbia University.

Bryan Jacobs is a doctoral candidate at Columbia University where he studies music composition with Tristan Murail, Fabien Lévy, Fred Lerdahl, and George Lewis. His music has been performed by the Cleveland Chamber Symphony, International Contemporary Ensemble, The McGill Contemporary Music Ensemble, and Talea Ensemble, and others.

Live mixing of audio pieces using Nord Modular software and field recordings from Los Angeles. Sounds from a computer will be transfered through two loudspeakers and will be filtered with an eighteen channel equalizer.
about 30 minutes
http://amigzaj.blogspot.com/

BA (Besorolas Alatt) - Sleep today for yesterday
Four channel video installation with audio. This piece was installed in Budapest Kunsthalle in the beginning of this month. The show will run until May. The screening in Los Angeles will feature a short introduction about this new piece by the group BA.
about 20 minutes
http://besorolasalatt.hu/

the concert will consist of a long duo performance of Manfred's new piece : 2011(1).

The presence of Manfred Werder has been made possible by The Swiss Arts Council Pro Helvetia.

with Laura Steenberge, James Klopfleisch, Jake Rosenzweig, and David Tranchina

Set one:
Live Video by Katherine Liberovskaya, with
Live mixing of audio pieces by Phill Niblock

In this live set Niblock mixes between audio pieces based on diverse field recordings which are very different from his music compositions. Liberovskaya mixes video with Jitter/Max/MSP from a vast personal database of clips shot over the past fifteen years.

Set two:
Music by Phill Niblock
Hurdy Hurry (1999, 15:30) Jim O'Rourke, hurdy gurdy, recorded samples
Not Yet Titled (22:20, 2003) Franz Hautzinger, trumpet, recorded samples; Gordon Allen, live
Poure (2008, 23:28) for cello, Arne Deforce, cello; recorded samples ; commissioned by the Centre de Recherches et de Formation Musicales de Wallonie, CRFMW, Liege, Belgium
Images by Phill Niblock
Video from the "Movement of People Working" series

Bio:
Phill Niblock makes thick, loud drones of music, filled with microtones of instrumental timbres which generate many other tones in the performance space. Simultaneously, he presents films / videos which look at the movement of people working, or computer driven black and white abstract images floating through time. Phill Niblock is an intermedia artist using music, film, photography, video and computers. He makes thick, loud drones of music, filled with microtones of instrumental timbres which generate many other tones in the performance space. Simultaneously, he presents films / videos which look at the movement of people working, or computer driven black and white abstract images floating through time. He was born in Indiana in 1933. Since the mid-60's he has been making music and intermedia performances which have been shown at numerous venues around the world among which: The Museum of Modern Art; The Wadsworth Atheneum; the Kitchen; the Paris Autumn Festival; Palais des Beaux Arts, Brussels; Institute of Contemporary Art, London; Akademie der Kunste, Berlin; ZKM; Carpenter Center for the Visual Arts at Harvard; World Music Institute at Merkin Hall NYC. Since 1985, he has been the director of the Experimental Intermedia Foundation in New York (<http://www.experimentalintermedia.org/>) where he has been an artist/member since 1968. He is the producer of Music and Intermedia presentations at EI since 1973 (about 1000 performances) and the curator of EI's XI Records label. In 1993 he was part of the formation of an Experimental Intermedia organization in Gent, Belgium - EI v.z.w. Gent - which supports an artist-in-residence house and installations there. Phill Niblock's music is available on the XI, Moikai, Mode and Touch labels. A DVD of films and music is available on the Extreme label.

www.experimentalintermedia.org
www.phillniblock.com

Katherine Liberovskaya is a video and media artist based in Montreal, Canada, and New York City. She has been working predominantly in experimental video since the late eighties. Over the years, she has produced many single-channel videos and video installation works, some of which have earned awards and mentions in Europe and North America. Her works have been presented at a wide variety of artistic venues and events around the world among which: Diapason Gallery, NY, Netmage, Bologna, MUU Gallery, Helsinki, Bunkier Sztuki National Gallery, Krakow, M'ARS Gallery, Moscow, Gallery 21, St-Petersburg, Gallery Ssamzie, Seoul, Stazione di Topolo - Postaja Topolove, Italy, Institute for Transacoustic Research (Iftaf), Vienna, Balazs Bela Studio, Budapest, Gallery Parzival, Berlin, Erasing, Belgrade, ISEA 2004, Helsinki, The Subtropics Experimental Music Festival, Miami, Images, Toronto, FCMM, Montreal, Osnabrück European Media Art Festival, VIPER, Basel, offline@online Media Art Festival, Tallin, WRO Festival, Wroclaw, Festival Internacional de Nuevo Cine, Havanna, VideoMedeja, Novi Sad, Mass Cultura, Lisbon, Les instants vidéo de Manosque, France... She has held numerous grants and arts awards in Canada and in France where she studied media arts. In addition to her art practice she has concurrently been involved in the programming and organization of diverse media art events, notably with Studio XX in Montreal (programming coordinator 1996-1998, president 2001-2003), Espace Vidéographe, Montreal and Experimental Intermedia, NY (Screen Compositions 2005, 2006, 2007, 2008, 2009) as well as the OptoSonic Tea series at Diapason in NY since 2006. Her articles on video and media art have been published in ESSE-Arts + Opinions, la Revue Électronique du CIAC, the Banff Center's HorizonZero and the Canadian Journal of Communication. In recent years her work mainly revolves around collaborations with new music composers, notably Phill Niblock ('Babel-On', 2004,installation, 'Painting the Painting', 2003, single-channel video, 'Topolo: de Passato a Avvenire', 2005, installation, 'Four-Wheel Drive', 2007-08, single-channel video and installation), as well as Al Margolis/If, Bwana ('Take-off', 2006, installation), David First ('Mountain/Reflex and River/Wind' performance, 2008), David Watson ('Bagpipe Extrapolations' performance, 2007), Zanana ('Sub-Veillance' performance, 2008), o.blaat ("LandFilles/dis-(p)lay waste" performance, 2009) Anne Wellmer and Hitoshi Kojo. In 2003 she began exploring live video mixing, using MAX/MSP and Jitter, in improvisation with live new music/sound. Since, she has performed live video mixing at a variety of venues in NY, Montreal and Europe with a number of music/sound artists including: Margarida Garcia, Barry Weisblat, Vortex (Satoshi Takeishi + Shoko Nagai), Mary Halvorson, Toshio Kajiwara, Shelley Hirsch, Anthony Coleman, Tiziana Bertoncini, Thomas Lehn, Urkuma, Angelica Castellò, Micheal Delia, Antonio Della Marina, Giuseppe Ielasi, Renato Rinaldi, Richard Geret, Gill Arno, Ben Owen, André Gonçalves, Matt Pass, Monique Buzzarté, Alessandro Bosetti, Audrey Chen, murmer, Max Shentelevs, John Grzinich, the Notekillers, Marina Rosenfeld, Jim Bell, Jason Kahn, Tom Hamilton, among others.

www.liberovskaya.net

Christine Tavolacci presents Carlo Inderhees' Buch für Flöte

for one performer

by eva-maria houben

mark so, piano

reading through all five volumes, moving freely between volumes

Osaka-based movement artist Omayumi, visual artist Steven M. Irvin and sound artist Alan Nakagawa will collaborate in a multi-media performance titled FLAT RED. What if you could hear everything in the City at once? The artists set a framework based on senses and improvise to create a series of tone poems.

Omayumi uses repetitive and spasm like movements to express a sense of frenetic and timeless movement. Irvin is a performance artist and painter. Alan Nakagawa will play his Iso Cube, a mini isolation box filled with tiny percussion, which he processes through a series of effects and loops.

boris d hegenbart-matsui: aufbaeumen #3
live electronic music (2011)

Volker Straebel: "Every promise of the soul has innumerable fulfilments." Emerson attributes
for speaker and two-channel digital audio (2010, premiere)
Gary Schultz, speaker

Supported by the Berlin Senate Cultural Affairs Department.

featuring performances by:
- Hana van der Kolk & Tomislav Feller
- Singing By Numbers
- Camlab
- Adam Overton

Zug, 1960 #7. Sound Observation #4
Sound installation. Four-channel digital audio (2008)

Hegenbart/Straebel: 9.11.1938
Sound installation (2008)
[documentation/excerpt]

Berlin aufräumen (Tidying up Berlin)
two-channel digital audio (2011)
[excerpt]

Centre and Grand. Sound Observation #5
live diffusion of four-channel digital audio (2010)

Rick Bahto: Sparse Gardens (2010). Performance for 35 mm Kodachrome slides and cassette tape. Two types of gardened spaces common in Phoenix are compared visually and sonically: the fussily landscaped strips and islands of parking lots and driveways, and vacant lots, bulldozed clear of buildings or natural desert that have been re-inhabited by weeds or rogue/remnant landscaping plants. 

Mark So: Girls on the Run (Other dreams.) [readings 37] (2010) [Ashbery series]. Performed by Liam Mooney, Kate Brown, Tuni Chatterji, Dave Hughes, Rick Bahto, Pablo Valencia, Julia Holter, Mari, Madison Brookshire, and Cat Lamb.

dessert reception.

casey anderson - other cities

michael winter - maximum change

with matt cook, laura steenberge, and mark so

james klopfleish - s omething for bowed milk carton and speaker.

with performances by Cassia Streb, Marc Sabat, Melinda Rice, Andrew McIntosh, Natalie Brejcha, Doug Wadle, Matt Barbier, and Brian Walsh.

Andrew McIntosh:
A Metaphor
A Different Metaphor
Voice and Echo II
Four Diffractions

Gerhard Schultz:
a survey of mineral terrain