the wulf.

upcoming events

04.07.2017 8:00 p.m.

Action/Figures: pieces by Orr Sinay, Jeese Quebbeman and guest composer Stellan Bark

the wulf. @ Coaxial Arts

Action/Figures
Pieces by three composers featuring guest composer Stellan Bark from Berlin

the subtleties of pokeberry rouge (2017)
Self-portrait with Helmut Lachenmann and Vloggers, or: spoken drag act on a Dolly Parton story.

Performed by:
Jesse Nicholas Quebbeman - Turley
Orr Sinay
Stellan Bark

on my stomach asking the floor to get up
Duet for voices, drums, words

Performed by:
Jesse Nicholas Quebbeman - Turley
Tim Reid

Resonating Body
Solo/duo/trio piece of upright bass, contact mics, and one human being..

Performed by:
Orr Sinay

action/figures in three rooms: 
a collaboration written by the three composers performers especially for the event.

ear action
Ear Action’ is a composition played on ear-protection-headphones. These headphones, which are normally used to protect the user's ears from noises, are working as a resonator directly on the ears of the audience member.


04.14.2017 8:00 p.m.

Joseph Patrick Martin Foster and JP Jenkins

the wulf. @ Coaxial Arts

Joe Foster was born in Santa Barbara, California in 1972, has lived in Seoul since 2002, and plays improvised music. His main collaborators have been J.P. Jenkins, Bryan Eubanks, Bonnie Jones, Hong Chulki, Choi Joonyong, Ryu Hankil, Jin Sangtae, and Kevin Parks.

He's been in the groups Super Unity, Peevish, Don Brown and Dan Reynolds, and English, and has releases on Rasbliutto, Balloon&Needle, Manual, Homophoni, Doubtmusic, and Erstwhile. He plans to continue playing until death.

https://joefoster.blogspot.com/

Jean-Paul Jenkins has been making sounds in front of people since 1991. Inspired by the sound of one hand clapping, he integrates multiple forms of attention and performance to create sonic spaces for healing and relaxation. Accompanying physical movement and meditation has been his primary focus for the last decade.

https://jean-pauljenkins.bandcamp.com/

https://www.discogs.com/Joe-Foster-3-JP-Jenkins-Money-Desert/release/9759380


04.22.2017 8:00 p.m.

Al Jones

the wulf. @ Coaxial Arts

past events

03.26.2017 8:00 p.m.

John Eagle and Emily Call present two solo pieces

the wulf. @ Coaxial Arts

Michael Winter's 'necklaces' for 4 plucked strings accompanied with 'quieting rooms', an electronic piece which attempts to put signals out of phase.

John Eagle's 'tuning #3 (first position)' for violin and sine tones, performed by Emily Call, explores the possible chords in one hand shape in the violin's first position and their extended harmonies/combination tones.


03.10.2017 8:00 p.m.

Black Book

the wulf. @ Coaxial Arts

The music of Black Book (Jeff Klarin/Chris Baugh) is about strategic chaos. Their compositions begin with exploratory improvisations that are deconstructed and reconfigured to make ‘listenable’ noise.

Black Book will be performing three new ‘planned’ improvisations alongside deconstructed original footage (Nicolas Simonin/Jeff Klarin).

1) ROAD travels from industrial landscape to mysterious mountain forest.

2) KOMOREBI is a Japanese word that describes ‘the light through the trees’. The juxtaposition of natural settings that begin to fold-in on each other creating a synchronicity of experience and moments.

3) DISRUPT speaks to the human condition and the current climate of dissent enveloping the listener in distortion and overtones.

Black Book History
Their sound has been described as a soundtrack for an Eastern European horror film. It is cinematic, percussive unexpected elisions and distortions. Their atmospheric sound is foggy, startling, embracing the maw.

They have performed and improvised entire audio soundtracks for Valhalla Rising, 2001 and Sans Soleil. Their project Musical Chairs presented 6 performers that rotated counter-clockwise around 6 performance stations that utilized acoustic, electronic and found object instruments. Each performer utilized the ‘instruments’ creating six unique improvisation. Future projects include In Situ, site specific improvisations inspired by surroundings as diverse as deep forest, industrial landscape, beachhead and barren desert.


02.20.2017 8:00 p.m.

The Experimental Music Yearbook Presents...

the wulf. @ Coaxial Arts

The Experimental Music Yearbook Presents two works from the latest issue of the annual journal:

Ulrich Krieger's "In the Shadow of the End," a work involving two just intoned electric guitars and a minimum of 6 sustaining instruments
http://experimentalmusicyearbook.com/In-the-Shadow-of-the-End
http://www.ulrich-krieger.de/

Andrew C. Smith's "How To Get There From Here" for solo performer.
http://experimentalmusicyearbook.com/How-To-Get-There-From-Here
http://andrewchristophersmith.com/

The Experimental Music Yearbook is a repository for composers, performers, and the public to glean the methods and styles of various artists working in the experimental music tradition. As the modes of experimentation in the arts change from year to year, the Experimental Music Yearbook’s annual issues will build into a comprehensive, and varied, database of experimentation in music/sound.
http://experimentalmusicyearbook.com/


01.31.2017 8:00 p.m.

Mark Menzies l–4:7–l

the wulf. @ Coaxial Arts

voice?

an evening of solo violin pieces, part of a one-week concert series around Los Angeles
www.4inthetimeof7.com

songs, images and tunes:
music by
Michael Finnissy, Raven Chacon, Renée Coulombe, Luke Martin | Andrew Tholl, Adam Greene, Juan Pablo Contreras, Evan Johnson, Sylvano Bussotti, Roger Reynolds | Rand Steiger, Ross Carey, Elaine Barkin, Mark Menzies

Mark Menzies has established an important, world-wide reputation as a violist, violinist, pianist, conductor, and composer. Currently a Professor of Music at Canterbury University, Christchurch, New Zealand in July 2016, Mark has previously lived in the United States for 26 years. His career as a viola and violin virtuoso, chamber musician and conductor and advocate of contemporary music, has seen performances in Europe, Brazil, Mexico, Australia, Japan, New Zealand and across the United States, including a series of appearances at New York's Carnegie Hall. He is a member of Formalist Quartet, now in its 10th season, with performance highlights including two appearances at the Walt Disney Concert Hall in Los Angeles, and a series of recordings.


01.21.2017 8:00 p.m.

Ma'ayan Tsadka and Davy Sumner

the wulf. @ Coaxial Arts

Davy Sumner will be performing a new solo piece using a 1960’s Film Rewind, salvaged from the soon-to-be-demolished King Hing theater in LA’s Chinatown. Spawned by the creepy, disintegrating remains of the glory days of the King Hing, the piece explores the repetitive motions of a film projectionist at work in what might be an alternate reality. 

Museum of Extinct Sounds and Imaginary Water Creatures
a trip through underwater amplification and cryptozoology
Musical object theater | Sound Installation | Museum of Sounds

a rare visit to a museum of sounds from the future, with exhibits of underwater recovered sounds from the past of planet earth, and of new life forms that have evolved in this future world where humans cease to exist.
*For the performance Ma'ayan will be joined by Laura Steenberge, Carolyn Chen and ? (one more unknown person)

Davy Sumner is a composer, installation artist, drummer/percussionist, sound engineer, and educator from Los Angeles CA, and Eau Claire, WI. He creates things that are inspired by the natural world, noise, geometry, and society, often utilizing sound spaitialization, feedback-based systems, chaos, and technology as his compositional elements.

Ma'ayan Tsadka: musician; composer; sound-explorer;educator.
compose sounds for people, instruments, objects, buildings, metal rails, and more. Current activity and research topics includes: underwater sonic-scapes, site-specific pieces, fossils of harmonic structures, audio/visual pieces, and echo and resonance in musical, political, and social context: from the rhythms of protest chants, to a series of site-specific pieces which calls for active participation and challenges common musical hierarchies. Completed a DMA in music composition at UCSC, working with Larry Polansky, Hi Kyung Kim, David Cope and Amy Beal. Currently resides in Jaffa and teaches at Haifa university.


01.14.2017 8:00 p.m.

Surface Motion - New works by Martin, Pisaro and Young

the wulf. @ Betalevel

An evening of works by Luke Martin, Michael Pisaro and Andrew Young

"so softly that it came, a wild dim chatter, meaningless" (Martin)
"Helligkeit, die Tiefe hatte, nicht keine Fläche" (Pisaro)
"verses" (Young)

Performed by Ryan W. Gaston, Amy Golden, Ben Levinson, Luke Martin, Davy Sumner and Andrew Young